Tadgh Crowley was born in 1899 in Blackpool, a suburb of the City of Cork, County Cork, Ireland. He learned the bagpipes at age sixteen
and began repairing bagpipes and drums around 1920. He opened a business with his brother making Highland, Irish, and Uillean pipes. His Uillean pipes are highy regarded today and frequently mentioned alongside of Kennedy and Rowsome Uilleann Pipes. It is frustrating that his Uilleann pipes are sometimes mistaken for Rowland’s work. The business closed in 1960 with Kennedy buying up the tools and stock.
Crowley Great Highland Bagpipes have been played in recent World Championship bands, so I will assume that they are excellent musical instruments. Certainly the style and workmanship is stunning, leaving little doubt as to the skill of the maker.
The Crowley brothers came from Saint James Square, Blackpool. Tadhg was born in 1899 and his brother Denis in 1908. Tadhg began to learn the bag pipes at the age of sixteen. He was associated with two pipe bands, The Lee Pipe Band and The Brian Boru Pipe Band. At this time most bands were playing marches and Scottish pipe music. It was Tadhg’s love of his own native music that led him to transcribe all of the 1001 tunes from the famous Chief O’Neill’s book, into bag pipe settings. Original manuscripts of this huge task thankfully still survive at the time of writing this. By the early 1920’s Tadhg had developed an interest in repairing bag pipes and drums for local bands. It was around this time that he began to learn the uilleann pipes, his for love, at the Cork Pipers Club. In 1926, he repaired a set of uilleann pipes for Henry Ford’s father. These pipes are now in the Ford Museum in Dearbourn, Michigan. Henry Ford wrote back to Tadhg, which led to Tadhg working in Ford’s factory for six months.
Tadhg Crowley’s GHB is among the most stylish that I have seen. The pictures below were provided by Ronan Maguire, Pipe Sergeant, St. Lawrence O’Toole Pipe Band.
That same year Tadhg was toying with the idea of going to the States. He had all of his papers ready and his uncle in the States had a job organised for him. One evening he went for a walk up to Sunday’s Well and looked out over the city. His love for his city and music won out, he decided not to go. Instead he decided to go into the uilleann pipe, bag pipe and drum making business full time.
Self taught, he first made a set of uilleann pipes for himself. Denis, his brother, was also interested in piping and pipe making and assisted his brother in the business. They ran their business firstly from their home, and in 1933 they moved it to 10, Merchants Quay, Cork. Due to rapidly growing demand for Crowley uilleann pipes, bag pipes and drums the Crowley brothers opened a workshop in Maylor Street, in the late 1930’s. Their 10 Merchant Quay premises remained as a music shop.
Tommy Clapham, a wood turner, and Denis Clapham, a drum maker (Tadhg’s brothers-in-law), both came to work in the workshop. The workshop had three wood lathes, a metal lathe, a band saw, a circular saw and big stocks of African black wood, Spanish cane and brass for fittings and keys. It was Tadhg Crowley who first used cupped keys on his chanters and regulators. The cupped design gives better sealing as it stops the leather pads from spreading out. This method has since been used by other pipe makers. He got this from clarinet makers.
Tadhg made a set of silver plated pipes for Micheal O Riabhaigh and Moss Kennedy. One of these sets was displayed at a trade fair in the City Hall. These pipes had an interesting feature as one of the drones which could be tuned to the note G, which would then harmonise with tunes being played in the E minor mode on the D chanter.
Tadhg taught both Micheal O Riabhaigh and Moss Kennedy their piping. He also taught Moss the art of uilleann pipe making. Micheal O Riabhaigh went on to revive the Cork Pipers Club in 1963.
Mary (May) McCarthy, piper and dancer, taught Tadhg’s daughters dancing in the Crowley home in the later 1940’s. Sean Wayland (chief founder of the Cork Pipers Club) was a good friend of Tadhg’s, and kept in regular contact with him by letter. A photograph of Sean always hung in the Crowley home.
Throughout his life Tadhg readily promoted all things Irish, especially our music and dance. He regularly played at dances at “An Grianan” and the A.O.H. Hall. Tadhg died all too young at the age of fifty two (1899 – 1952), leaving a young family behind. Denis, his brother, ably assisted him throughout his musical instrument making career. Denis continued to make uilleann pipes up until his death in 1966. The Crowley name is still strongly associated with music in Cork. Michael Crowley, Tadhg’s son, runs their family business from their premises in McCurtain Street, Cork.
The Cork Pipers Club is indebted to, and would like to thank the Crowley family, who so selflessly promoted the art of uilleann piping and uilleann pipe making in Cork during those lean years of the 1930’s, 1940’s and 1950’s when our Club was not functional.”
Veronica Ryan,
Hi Ron, I came across your page https://www.thebagpipemuseum.com/Kennedy.html
Alfie Kennedy got his pipe making equipment from Tadgh Crowley, plus a lot of stock, turners etc. Tadgh Crowley actually studied piping with MacDougall Giles in Glasgow circa 1925.
MacDougall Giles, in addition to being a reknowned piper was also a pipe maker and worked as a manager at Hendersons in the early quarter of the 20th century. So, it is more than likely that the Crowley, and hence the Kennedy bores, are indeed along the line of the old hendersons. Similar to what Greg Sharp did with Kintail if you are familiar with Gregs work.
Now you are probably wondering why I know this, well my Dad was a Pipe Major, he just passed in early Jan at the tender age of 86 and he learned to pipe directly from Tadgh Crowley. I’m not sure but I think Alfie might be still alive.
Isaac
The bagpipe below is believed to have been made by Alphonsus Kennedy, having bought up the stock upon the closure of Crowley’s business. Still quite nice. Made in Crowley’s style but perhaps not quite as elegant. Note the two-piece projecting mounts.
